Although to begin with, from the last time, I did darken up the eyes just a shade, they were looking a little freaky!
So I am now progressing towards large areas of fur and have to say initially, this can look pretty messy! In fact quite a lot like scribble ;)
Although some of the strokes I am going to show you like quite wide, very small thin gentle strokes are best, these look quite broad because I am zooming in.
Firstly get a few in in the direction of the fur. You will remember that in Part One, I had already used white, now I am using pink, lilac and grey.
I also apply a light layer of pink across all of him and some tan and cerise coloured strokes. I personally find it easier to work from light to dark.
This is a super zoom close up view of my scribble!
It is now time to start adding some depth. So I begin to add brown in the shadows. If you find it difficult to work out where the shadows lie, then print out your reference in black and white. It can make a difference to be able to see where the dark patches naturally fall.

For the darker areas, I add black stokes too but also use brown softly across the shadows. Now, this bit can take some time, there are a lot of pencil strokes in here to achieve the look I want. I find it quite therapeutic although a lot of people seem to want to rush this stage. The centre of his body is darker and I use a blending pencil on here too so that his skin looks nice and even. You will notice I don't use a blending pencil on the fur.
These photographs have been taken on various settings so you can pick out the pencil strokes as much as possible. You may have to click on them to get a really good look.
In this next stage, I first of all use a Jakar eraser to take out some fur strokes across the body and infill with white CP. However, as I mentioned in the comments in part one, I messed up choosing this light a colour paper for this subject and the white highlights were not showing up as well as they would if I had chosen a darker colour. So a little improvisation again and I used the white glaze Sakura pen to provide some highlights, cheating I know but what the heck!
Now some where in all of this, I decided his mouth was too low and his one ear too high, so I rubbed out the offending bit and adjusted them..just in case the eagle eyed amongst you spot the left ear coming down a tad. I find that these adjustments are all part of it really, as times goes on you get a feel for what is working and can see problem areas as you progress, this does take a little practice but gets easier.
Now, at this stage, the background is offending me because it needs to be a little more subtle, it is detracting from the subject. So I get a cotton bud and dip it in Sansador and gently work in circles to dissolve the coloured pencil into a more blended background. Take care not to catch the ear because we don't want the black to blend into the pink.
When the background is dry which may take a while, I add his other whiskers using the bic biro.
I wouldn't call him finished yet, no doubt, I will tat with him for a few more days yet as I see things that require a little improvement. I still have a few areas to slightly darken down. But, I think that is as far as I can go with the tutorial, I hope if you have come across it that it has been helpful.



